Arizona Blue--Gunfighter: The Wolves Nest [Chapter One of Seven: The North]
[Episode Five]Arizona Blue-GunfighterThe Wolves Nest-in the North[Episode Five]Northern Minnesota Area-Winter of 1877Chapter One of Seven: The NorthThe area was known as Pigs Eye [St. Paul, Minnesota]; Northfield was a little more notorious since Jessie James robbed the 1st National Bank, in September of last year, and more to the West.
The Exit Poems [Iron and Fire & No Heroes]
The Exit Poems [And Socrates]Iron and FireIron can be soften by fire-grows hard in the cold;and all the gates thereinare, as it was, closed again.So, often are those misled?by luxury and pride,who push humility aside-:thus, redemption their vanityand perfection their virtue?and in the end, they all collided.
An Old Wood Pile [a poem with notes]
Old skin, once held tightAgainst her skeleton-Rose no more, just drapedLoosely over unpadded flesh;Un-tightened muscles, and tissue,Lost its courage, no-fortitude-,Gone are the days and yearsThat stood against the Indomitable elements; The skeleton, now a landmarkHidden under flesh and bloodGuts and moral fiber, backbone?Collapsed from drudgeryTime, time: cascading inside-.Bones now leaving impressionsAccepting fateLike tarnished silver!.
Breathing-in, Minnesota [a poem: now in Spanish and English]
In early fall, in Minnesota, the rain falls, falls, In buckets, buckets and more buckets-: dropsLikened to music from its many streams-landOf ten-thousand lakes; moistened gravel, gravelEverywhere?Grandpa sits on the porch-daydreaming of, ofSomething, perhaps winter around the corner-;As the flies disappear, with the mosquitoes?Leaves will soon vanish, shadows will come earlyMaybe he's thinking about summer: miles and milesAnd miles and miles of cornfields; his childhood nowLong gone, he hums a hymn, a song; looking at theMetal-piped fence, he made, with three poles, on theEmbankment, leading up the steps to the porch;It's worn-out like him.The winds in Minnesota smell fresh, fresh from allThe foliage, there's a lot of it.
Grandpas House & From Iraq with Love [Two Poems]
Grandpa's House[The ole Real House]The house needed paintingSun-blistered and flakingGrandpa started to have usBoys-Mike and I- startDoing some scraping-While he, pealed off the olePaint, and started painting?Just a humble wooden houseWith several rooms, but Strong enough to keep theWinds and winter snows out,How he loved that ole house!..
Uamaks Aquatic [suspense: now in Spanish and English]
Delicately, my mind was selecting a muffled tune, out of the dead dark empty space surrounding me?I saw a shape on a rock, not sure who it was; I had a sensitivity though, a feeling call it, or second-sight; I've heard that before, not sure if I want to put a lot of credence into it, but so be it, the sensitivity and numbness was there. I didn't' sense any danger in the moment, in the moonlit figure, sitting on the rocks, lurking, looking out into the deep.
Memoirs of a Wastelands Rim [a Poem: now in Spanish and English]
Memoirs of a Wasteland's RimIt still was light when she paused at the wasteland's rim-Over, the rim rest like a sleeping brute, a wooden frameAdjacent to the blue where early stars hung like oil lampsHanging from old beams and shade?the wooden frameHer footing caught the beams, as she had fallen onto itAlone, she watched the forenoon, climbing around herA drifter woman, marked by life, and slanting dreams With appearance of hurt and molded muscle on her faceHer figure etched against the wooden frame,She tried to jump, and lost her balance, hanging like a birdNow sipping the gloom in the ledge and shattered hopesShe yielded before the sluggish advance of sunsetBlood dripped, with her dying darknessAnd a crimson moon hurled a flame acrossThe shadowy clouds, burning throughout the skyThe tormented sky above her?Crossing the valley's floor her eye gripped itRocky images, highest pointsThrusting herself up boldly from to the ledgeThe painted morning blushed over the rimHer brows and nose, face against the granite stoneMassive injuries was taking form,Her silhouette floating so indolently across the sunIt was too great a task-to die alone?she wished nowShe had not jumped?a thousand feet below, yet to go.Too much for any woman in a lost worldOut of the weak wood her mind had peace; She knew soon it would all be over-alasMute and protesting against life's uselessnessA narrow path lay below her slender bodyBetween death and attainment, a careless footThe rocks beneath her weakening, she plungedPlunged to her death, in the carving hands of the valleyThinking of it, as she fell, thinking with a smiled,Saying, looking up-dead before her echoes: 'Time is short?time is short?time is short!'When they found her, her face was unafraid of falling.
Ceasar Vallejo: Black Roses [In English and Spanish]
Cesar Vallejo: Black RosesBow down your head ol' poet-To face God's grace aheadThere are no more trenchesTo dig today?In the forest of your head,So-:Bow down, bow down,Ol' barbaric poet!Death rides the horse aheadI hear the crackling of a whipSee the crazed eyes of death.He summons you to his den-The devil and his wind,So-:Bow down, bow downYour blood stained browsHe will take you to the edge.
Wars, Air of Ambiguity [for: Lt. Laura Walker] in SPANISH and English
Wars, air of AmbiguityDedicated to 1st. Lt.
Infected Ideologies [a Poetic Portrait]
the disease of extremismis infectious-;whoever cannot think oftheir childgrowing up without itis part of the phenomenon! (the choice of the day).fanaticism,--with a powerful ideologyare seeds for suicide!murder: givingreasons to rage!.
Poetry and Popular Culture
Is poetry too complicated for the average reader? Is it too cryptic, scholarly? If you ask a large group of average people what they like or don't like about poetry, you'll get a few different answers, but there is an overwhelmingly common category of responses.One of the main reasons that people say they aren't addicted to contemporary poetry is that they feel it is too cryptic.
Ole Bulky Jeeps & Paper, Ink and Rain [two Peoms]
Ole Bulky JeepsThrough late summer's heatThese bulky shaped jeepsRide by house and farmCity and barn-Hungry for Spring-again, hoping to avoidThe Slipping and slidingOf winter's ice and wind?[s]Their weighty legs are dirtyFrom moving dust and rain(Here and there, everywhere)Through all kinds of terrainLike moving clouds caughtIn the foliage of the woods?They never slow down a tingThey have a duty, and give.It's part of how they live-In military-, bulky ole jeeps!.
Blind Designs [a Poem] and a Note by Rosa on The Other Door
Blind DesignsBorn today, gone tomorrowLike a butterfly with no stomachBorn n the morning, dead by nightOh-let me whisperOh-let me cryWhat man has not learned?What man will not learn!In his pomposity, his rhetoric With his abstract conceptsWith his intellectWith his creativenessHe has become enslavedBy-them?By them all, he will fall. Ah! Yes-abstract conceptsBombast and rhetoric His intellectHis clevernessThis he leaves behindTo his decedents!.
Daybreak at Pikes Creek [a Poem]
Daybreak at Pikes Creek[Summer of 2005]Daybreak by Lake SuperiorRising out of the woods like:A swamp mistI'm waiting for breakfast(at the B&B)I pace the groundsThe scent of green shrubbery:Trees, flora, flowers-rain Intoxicates me-Branches like big brown armsDescend?The embankment, to the rightBlue eyed, like mine-reflect From the creek beneath me(my wife says 'be careful'she went to get the camera)The greens and blues touchMy face and blue jeans-Reflections mirrored like Musical notes of a symphony(I'll see them later in pictures)For now, it's daybreakIn Minnesota.#813 8/26/2005Note: the author, Dennis Siluk, took his wife Rosa [me: on my birthday] to Lake Superior, this summer, and I adored the biggest lake in the world.