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Heaven on a hummingbird's wing: Donna Tartt on the abiding power of a childhood memory

Not long ago, my little godson came to stay with me for the first time: his first summer vacation, and also his first trip to the countryside. Though still an infant, not yet able to speak, his eyes were round and ringing with astonishment all weekend long. Everything at my house was shocking and utterly new: velvet sofa cushions, purple flowers, elderly pug (bigger than he was, a frightening but friendly lion). In the photographs from that weekend (swimming pool; absurd yellow kiddie float) his face is alight with violent wonder - an expression very similar to the dazed, incredulous joy that I remember on the faces of some sombre little hill-children in India at the watermelon sparklers I gave them. These were a racy treat of my American childhood - clear candies of a biting, gorgeous pink, deliciously sour, smooth and sparkling like jewels when you took them out of your mouth and held them up to the light after you'd sucked on them for a while. But though they are pretty enough to look at, their taste is the real stunner - an overpowering electric tang to make a grown-up's eyes water, but that children adore. As a child I craved these candies, was driven mad by them, saved my nickels and dimes for them - all the children on my school bus did - but there, in the high Himalayas, they were unheard of, pure magic: I might as well have been handing out rubies.

Of course, it's not at all remarkable that children are captivated by new things, because to children everything is new. But what is remarkable is how fleeting impressions of childhood delight can linger and change and vanish and re-appear unexpectedly over the years, winking like fireflies throughout the arduous and complicated darks of a lifetime. It has been remarked that a poet's most powerful, passionate metaphors - the ones that recur again and again, the ones that carry the deepest personal meaning - are fixed irrevocably in the mind before the age of 12. So, too, I think, for the rest of us. Someday, long after I am dead, my little godson may be an old man of 80 or 90 sitting in a deck chair in Miami Beach, inexplicably transfixed with a wordless pang of joy at a striped beach ball, at dazzling turquoise pool water - just as someday (I hope) a particular impossible shade of watermelon pink, glimpsed in passing, may perhaps strike an old lady in a Himalayan hill village as the very sweetness of youth.

Quite often there's a pattern to these haphazard and apparently random flashes of childhood memory - a pattern that doesn't emerge or make itself known until later in life. One particularly vivid memory that has stayed with me throughout my life, and will be with me until I die, is of the first time I saw a hummingbird. The incident was inconsequential enough; I was about four years old, and had accompanied my beloved great-grandmother (then in her late 70s) to a garden party given for a distant relative: a young bride-to-be. It was springtime; the azaleas were in spectacular bloom; the astonishing little ruby-throated creature flew right in front of me - down at my eye level, practically in front of my face - and hovered there for some moments before it buzzed forward, then backward, then flew away across the green lawn for ever.

That was all. It can have lasted no more than 10 seconds, yet this tiny incident has left a much more intense and lasting impression on me than many of the great landmark events of my childhood. For many years, I wondered exactly why I remembered this specific incident so vividly and not some thing else, something more powerful. Why the hummingbird? What was it trying to tell me? Why had this memory, and not some other, struck me so forcefully in the first place; why does it come back to me so persistently, in memory and in dream?

Only now - at mid-life, in my 40th year - am I starting to realise what the hummingbird means, and why, at unexpected moments, it returns to me still. It is a premonition of heaven, and of death. My great-grandmother (who was leaning beside me, holding my hand, as the hummingbird paused in mid-air before me) did not have long to live. Nor did the bride herself - lovely laughing Ginger, who died young, of cancer. I couldn't have understood it then, and scarcely understand it now, but my entire subsequent impressions of death, and beauty, and mutability, and the brevity of life itself are somehow crystallised perfectly in those few moments, when the tiny iridescent hummingbird darted before my face, hovered briefly, then flew away. All I know of the sublime is somehow encapsulated and encoded in that instant: flowers everywhere, white-gloved ladies in pastel dresses. Then beautiful Ginger, in an apple-green dress, kneeling to say hello.

�Donna Tartt 2004. Taken from When We Were Young: An Anthology of Childhood compiled and illustrated by John Burningham, with donations going to Unicef and published by Bloomsbury on October 18, at £14.99

The Guardian - October 2, 2004

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