Ezra Pound Videos

POESIA "PRESENCIA" (fragmento) de EZRA POUND recita RUY HENRIQUEZ CUMPLEAÑOS AMELIA DÍEZ y MANUEL MENASSA

The horrific images of children in Gaza. Audio is a mix of Ezra Pound and the Celtic Women.

Il comune tarda ad applicare il progetto di videosorveglianza, la città rimane indifesa dal vandalismo. Il Prefetto bacchetta il sindaco. Ma non è soltanto un fatto di sicurezza ma anche un problema culturale. Ricordiamo che il vandalismo non ha risparmiato il monumento alle vittime civili dei bombardamenti americani della seconda guerra mondiale o il monumento ai caduti. Nonchè minacce nei confronti di parrocci, o istituzioni come la Croce Rossa o varie esponenti della politica o delle professioni come i giornalisti, o delle forze dell'ordine sono state vergate sui muri.

"Dear James" é a codificação (em código de mínima redundância) de correspondência de Ezra Pound para James Joyce, sobre a preocupação dos serviços secretos britânicos sobre o livro "Ulysses": achavam que era tudo código...

Ezra Pound, Canto XVI

Heres a virtual movie of Dylan Thomas(1914 - 1953) reading his "Poem of October" Although there is a wealth of excellent sound recordings of Dylan Thomas there are is no known surviving film footage of Dylan Thomas he did appear just once on BBC television in August 1953 reading his story 'The Outing",but no recording survives of this broadcast so I hope you may enjoy this virtual representation of how he may have looked if he had been perhaps filmed from the tv screen on a home cine camera at the time reading this poem. Kind Regards Jim Clark All rights are reserved on this video recording copyright Jim Clark 2008 Poem In October..................... It was my thirtieth year to heaven Woke to my hearing from harbour and neighbour wood And the mussel pooled and the heron Priested shore The morning beckon With water praying and call of seagull and rook And the knock of sailing boats on the net webbed wall Myself to set foot That second In the still sleeping town and set forth. My birthday began with the water- Birds and the birds of the winged trees flying my name Above the farms and the white horses And I rose In rainy autumn And walked abroad in a shower of all my days. High tide and the heron dived when I took the road Over the border And the gates Of the town closed as the town awoke. A springful of larks in a rolling Cloud and the roadside bushes brimming with whistling Blackbirds and the sun of October Summery On the hill's shoulder, Here were fond climates and sweet singers suddenly Come in the morning where I wandered and listened To the rain wringing Wind blow cold In the wood faraway under me. Pale rain over the dwindling harbour And over the sea wet church the size of a snail With its horns through mist and the castle Brown as owls But all the gardens Of spring and summer were blooming in the tall tales Beyond the border and under the lark full cloud. There could I marvel My birthday Away but the weather turned around. It turned away from the blithe country And down the other air and the blue altered sky Streamed again a wonder of summer With apples Pears and red currants And I saw in the turning so clearly a child's Forgotten mornings when he walked with his mother Through the parables Of sun light And the legends of the green chapels And the twice told fields of infancy That his tears burned my cheeks and his heart moved in mine. These were the woods the river and sea Where a boy In the listening Summertime of the dead whispered the truth of his joy To the trees and the stones and the fish in the tide. And the mystery Sang alive Still in the water and singingbirds. And there could I marvel my birthday Away but the weather turned around. And the true Joy of the long dead child sang burning In the sun. It was my thirtieth Year to heaven stood there then in the summer noon Though the town below lay leaved with October blood. O may my heart's truth Still be sung On this high hill in a year's turning.

Obama Gaza Change, Audio is a mix of Ezra Pound and the Celtic Woman; voices of Chloë Agnew, Lisa Kelly, Méav Ní Mhaolchatha and choir. "excerpt from Ezra Pound's 'Hugh Selwyn Mauberley' section IV, read by the poet."

Venessia.com ( http://www.venessia.com/ ) vuole ricordare Ezra Pound POETA STATUNITENSE ( http://it.wikipedia.org/wiki/Ezra_Pound ) che visse a Venezia fino al 1972 ( anno in cui morì e fu sepolto a San Michele ) .Quest'anno infatti sono esattamente 100 anni da che Pound venne la prima volta in città ( 1908 ) e se ne innamorò scrivendo in quel periodo questi versi bellissimi su Venezia : "O God, what great kindness have we done in times past and forgotten it, That thou givest this wonder unto us, O God of waters?" (Night Litany). O Dio, quale grande gentilezza abbiamo fatto nei tempi passati e poi l'abbiamo dimenticata, perchè Tu ci donassi questa meraviglia, o Dio delle acque ?

Poem - "Wine Bowl" Poet - Hilda Doolittle (H.D.) Hilda Doolittle was born in Bethlehem, Pennsylvania, on September 10, 1886. She attended Bryn Mawr, as a classmate of Marianne Moore, and later the University of Pennsylvania where she befriended Ezra Pound and William Carlos Williams. William Carlos Williams recalls, in his autobiography, a time when they were caught in rain - ... Instead of running or even walking toward a tree Hilda sat down in the grass at the edge of the hill and let it come. "Come, beautiful rain," she said, holding out her arms. "Beautiful rain, welcome." [New Directions, 1967, p. 69] She travelled to Europe in 1911, intending to spend only a summer, but remained abroad for the rest of her life. Through Pound, H. D. grew interested in and quickly became a leader of the Imagist movement. Her work is characterized by the intense strength of her images, economy of language, and use of classical mythology. (www.poets.org) "H.D. Imagiste" Soon after arriving in England, H.D. showed Pound some poems she had written. Pound had already begun to meet with other poets at the Eiffel Tower restaurant in Soho. He was impressed by the closeness of H.D. poems's to the ideas and principles he had been discussing with [Richard]Aldington, with whom he had shared plans to reform contemporary poetry through free verse, the tanka and the tightness and concisness of the haiku, and the removal of all unnecessary verbiage. In summer 1912, the three poets declared themselves the "three original Imagists". (Source Wikipedia) Her poems did not receive widespread appreciation and acclaim during her lifetime, in part because her name was associated with the Imagist movement even as her voice had outgrown the movement's boundaries, as evidenced by her book-length works, Trilogy and Helen in Egypt. As Alicia Ostriker said in American Poetry Review, "H.D. by the end of her career became not only the most gifted woman poet of our century, but one of the most original poets—the more I read her the more I think this—in our language." Neglect of H. D. can also be attributed to her times, as many of her poems spoke to an audience which was unready to respond to the strong feminist principles articulated in her work. She died in 1961. (www.poets.org) IMAGES: Red-figured Kraters: A krater (in Greek: κρατήρ, kratēr, from the verb κεράννυμι, keránnymi, meaning "I mix") was a vase used to mix wine and water. At a Greek symposium, kraters were placed in the center of the room. They were quite large, so they were not easily portable when filled. Thus, the wine-water mixture would be withdrawn from the krater with other vessels. In fact, Homer's Odyssey describes a steward drawing wine from a krater at a banquet and then running to and fro pouring the wine into guests' drinking cups. An interesting sidenote to this is that the modern Greek word now used for undiluted wine, krasi (κρασί), originates from this mixing of wine and water in kraters. Kraters were glazed on the interior to make the surface of the clay more suitable for holding water, and possibly for aesthetic reasons, since the interior could easily be seen. (Source:Wikipedia)

www.arthurmoss.com for story behind the pics

Laura Bush mi invitò alla Casa Bianca, rifiutai... Non cederò la mia Costituzione, Madison ha lottato per qualcosa...

Docente di Religione, animatore RnS e accolito, ha venduto l'azienda ulivicola specializzata e biologica per dedicarsi all'evangelizzazione, ma fortuitamente il dic 2007 scoprì del signoraggio bancario. Caro fratello in Cristo! "Con l'usura, nessuno ha una "casa" per il suo futuro" disse Ezra Pound Tutti credono di chiamarsi: Ognuno, Qualcuno, Ciascuno, Nessuno. C'era un lavoro importante da fare e Ognuno era sicuro che Qualcuno l'avrebbe fatto, Ciascuno avrebbe potuto farlo, ma credeva che Nessuno lo avrebbe fatto lui... così crollò rovinosamente il fondo monetario e venne pure la Terza guerra mondiale, allora, i signori: Ognuno, Qualcuno, Ciascuno e Nessuno morirono. Se tu ti offendi se sei trattato come un libro... perché Dio non dovrebbere essere "offeso" se tu tratti così la Bibbia?

Items and people from the 1920's American Expatriate Parisian Art Scene all involved with Arthur Moss, author, publisher, editor, journalist - dedicated his life to promoting all the arts. First to Publish Hemingway's work. Complete story at arthurmoss.com

This movie wants to simplify the comprehension of the poem of T. S. Eliot "The Waste Land - The Burial of the Dead".

This is their entire set at Woodstock '99. I got an HD copy from John Shade over at Zembla records, he's a great man. Ya money!

Heres a virtual movie of the extraordinary Ezra Pound (1885 - 1972) surely one of the most influential and controversial poets of the 20th or any other century reading his poem that speaks the wisdom of age "Heavens Worry" and comes from his collection of works "The Confucian Odes".. The sound recording was made in Spoleto, Italy, summer 1970 Kind Regards Jim Clark All rights are reserved on this video recording copyright Jim Clark 2008

Sandburg's most famous poem is "Chicago". This one is not so well known and in fact I thought it was written by Ezra Pound until I looked it up. I find the last stanza unforgettable.

Introduction to the Kenmore: Poem Unlimited poetry installation and book.

Heres a virtual movie of the extraordinary Ezra Pound (1885 - 1972) surely one of the most influential and controversial poets of the 20th or any other century reading his poem that speaks the wisdom of age "The year puts on her shining robe" and comes from his collection of works "The Confucian Odes".. The sound recording was made in Spoleto, Italy, summer 1970 Kind Regards Jim Clark All rights are reserved on this video recording copyright Jim Clark 2008

Wilson wrote 35 books, and many other works. His best-known work, the cult classic The Illuminatus! Trilogy (1975), co-authored with Robert Shea and advertised as "a fairy tale for paranoids," humorously examined American paranoia about conspiracies. Much of the odder material derived from letters sent to Playboy magazine while Shea and Wilson worked as editors of the Playboy Forum. The books mixed true information with imaginative fiction to engage the reader in what Wilson called "Operation Mindfuck." The trilogy also outlined a set of libertarian and anarchist axioms known as Celine's Laws (named after Illuminatus! character Hagbard Celine), concepts Wilson revisited several times in other writings. It included a subplot about biological warfare in which a pimp contracts a deadly form of experimental anthrax. While the pimp is able to elude agents of the US Government — which reacts to the crisis by overriding the Bill of Rights — the pimp is eventually tracked down by operatives associated with Hagbard Celine. The story also gives a detailed account of the John F. Kennedy assassination, in which no fewer than five snipers, all working for different causes, were prepared to shoot Kennedy as he passed in his motorcade. The book's climax occurs at a rock concert in Ingolstadt where Hagbard Celine tries to rescue the audience from an Illuminati plot to make them victims of a massive human sacrifice. Illuminatus popularized Discordianism and the use of the term "fnord." It also incorporated experimental prose styles influenced by William S. Burroughs, James Joyce, and Ezra Pound. Although Shea and Wilson never partnered on such a scale again, Wilson continued to expand upon the themes of the Illuminatus! books throughout his writing career. All of his later fiction contains cross-over characters from The Illuminatus! Trilogy, which won the Prometheus Hall of Fame award for science fiction in 1986, has been reprinted in many countries, and was adapted for the stage by Ken Campbell into a ten-hour epic drama. It has been adapted into a Steve Jackson role-playing card game called Illuminati and a trading-card game called Illuminati: New World Order. A comic book version was first produced by Eye N Apple Productions, then by Rip Off Press. Wilson also wrote a play called Wilhelm Reich in Hell, which has been performed at the Edmund Burke Theatre in Dublin, and two illustrated screenplays: Reality is What You Can Get Away With and The Walls Came Tumbling Down (1997). In Cosmic Trigger I: The Final Secret of the Illuminati (1977) and other works, he examined Discordianism, Sufism, Futurology, Zen Buddhism, Dennis and Terence McKenna, the occult practices of Aleister Crowley and G.I. Gurdjieff, the Illuminati and Freemasons, Yoga, and other esoteric or counterculture philosophies. He advocated Timothy Leary's eight circuit model of consciousness and neurosomatic/linguistic engineering, which he also wrote about in Prometheus Rising (1983, revised 1997) and Quantum Psychology (1990), books containing practical techniques intended to help one break free of one's "reality tunnels." With Leary, he helped promote the futurist ideas of space migration, intelligence increase, and life extension (SMI²LE). The New Inquisition is quite a serious but very entertaining book arguing that reality is much weirder than we commonly imagine, and citing, among other things, Bell's theorem and Alain Aspect's experimental proof to suggest that mainstream science has a strong materialist bias, and that in fact modern physics has already disproved materialist metaphysics.